Spring 2020 Class Schedule
Course | Title | Instructor | Day/Time | |
---|---|---|---|---|
POLISH 108-3 | Elementary Polish | Kinga Kosmala | MTWF 12-12:50pm | |
POLISH 108-3 Elementary PolishThis is the third of a three-quarter sequence designed to introduce students to Polish language and culture. We continue to learn the basic grammar of Polish, focusing on speaking, reading, writing, and listening. | ||||
POLISH 208-3 | Intermediate Polish: Language and Culture | Kinga Kosmala | MTWF 2-2:50pm | |
POLISH 208-3 Intermediate Polish: Language and CultureIn Spring Quarter of Second Year Polish, students expand their speaking, reading and writing skills by building on grammar and vocabulary learned during prior quarters. As a complement to the linguistic side of the course, the students will gain a greater familiarity with Polish history and culture through varied means, including readings of literary works, articles from contemporary Polish newspapers and movies. | ||||
RUSSIAN 101-3-20 | Elementary Russian | Natalia Malinina | MTWF 9-9:50am | |
RUSSIAN 101-3-20 Elementary RussianElementary Russian 101-3 is the third part in a three-quarter sequence designed to introduce students to the Russian language and contemporary Russian culture. In this course, students will continue to develop the fundamentals of speaking, listening, writing, and reading through a variety of communicative and content-based activities. Emphasis will be placed on practical communication so that students should be able to function at a basic level in several authentic situations by the end of the year. | ||||
RUSSIAN 101-3-21 | Elementary Russian | Jacob Wirt | MTWF 2-2:50pm | |
RUSSIAN 101-3-21 Elementary RussianElementary Russian 101-3 is the third part in a three-quarter sequence designed to introduce students to the Russian language and contemporary Russian culture. In this course, students will continue to develop the fundamentals of speaking, listening, writing, and reading through a variety of communicative and content-based activities. Emphasis will be placed on practical communication so that students should be able to function at a basic level in several authentic situations by the end of the year. | ||||
RUSSIAN 102-3 | Intermediate Russian | Natalia Malinina | MTWF 12-12:50 | |
RUSSIAN 102-3 Intermediate RussianIntermediate Russian 102-3 is the continuation of a two-year sequence that enables students to acquire intermediate-level proficiency. It proposes the further development and command of skills and abilities in the areas of reading, writing, listening, and speaking. Emphasis is also placed on vocabulary expansion, especially in the areas of speaking and writing. A great deal of attention will be devoted to the learning of grammar in conjunction with the immediate activation of it in conversation. | ||||
RUSSIAN 302-3 | Russian Language and Culture | Natalia Malinina | MWF 11-11:50am | |
RUSSIAN 302-3 Russian Language and CultureДобро пожаловать! Welcome back! Slavic 302 is a yearlong combined third- and fourth-year multi-skill course. It is recommended for students who are familiar with Russian basic grammatical concepts and vocabulary and are interested in acquiring more advanced language skills--speaking, reading, writing, and listening. The course also acquaints students with aspects of Russian culture that are familiar to most educated native Russian speakers, through literature, videos and movies. | ||||
SLAVIC 105-6-0 | First-Year Seminar | Kinga Kosmala | MW 3:30-4:50 | |
SLAVIC 105-6-0 First-Year SeminarRock and punk music played a substantial yet still underappreciated role in subverting the power of the communist system among the youth cultures of the Eastern bloc countries. Poland was no exception, as these two types of music became remarkable artistic and subversive cultural realms during the communist period in Poland. Even though rock was repeatedly attacked, banned, and relegated to illegal culture status it became an integral part of the Polish urban landscape under the communist rule. The rock and punk bands provided a (loud) voice and a space of freedom for the younger generations who were searching for their identity within the controlling and ominous communist state. In this class we will look at the phenomenon of massive popularity of Western rock and punk music along with the exceptional fame of music created by Polish artists as well as its significance in the Polish urban culture under communism. | ||||
SLAVIC 210-3 | Introduction to Russian Literature | Susan McReynolds | MW 11-12:20pm | |
SLAVIC 210-3 Introduction to Russian LiteratureIn this course, Spiritual Autobiography and Russian Literature, we will read classic works of Russian literature that explore the challenges of achieving spiritual growth in an individual life, with focus on moments of heightened experience and consciousness. Students will have the (optional) opportunity to write a spiritual autobiography. Works by Tolstoy, Chekhov, Turgenev, and Bunin. | ||||
SLAVIC 322 | Making a Dictionary | Elisabeth Elliott | TTh 12:30-1:50pm | |
SLAVIC 322 Making a Dictionary(Co-listed with Linguistics 363) Northwestern University is a community, working to set goals, achieve them, defining and striving for excellence, etc. As such, we are a speech community, using language to describe and form our culture and identity. This includes jargon (e.g., Wildcat, distros, CAESAR, CTECs, DM, ASG, SafeRide, MMLC, etc.) and slang. We focus on language, identity, and heritage, and the students create “WildWords”: https://nudictionary.mmlc.northwestern.edu/wiki/index.php/Main_Page | ||||
SLAVIC 367-1 | Russian Film | Ilya Kutik | MW 2-3:20pm | |
SLAVIC 367-1 Russian Film(Co-listed with RTVF 351-0-20) The goal of this course is to provide students with a firm understanding of the major contributions of Russian film art to world cinema, especially what is often termed Russian, or dialectical, montage, introduced in the early 20th century by Lev Kuleshov and developed by Sergei Eisenstein. Students will gain knowledge in classic Russian cinematography, as well as in the theatrical “method” of Stanislavsky and “biomechanics” of Meyerhold that were influential in shaping Russian film theory and history. We will watch major films by Protazanov, Eisenstein, Pudovkin, and Vertov -- and texts – and discuss them in class. | ||||
SLAVIC 390-0 | Lit. & Politics in Central & Eastern Europe | Ian Kelly | TTh 3:30-4:50pm | |
SLAVIC 390-0 Lit. & Politics in Central & Eastern Europe(Co-listed with Int St 390-0-22) This course examines the roots and the drivers of Putin’s foreign policy. We will look at factors leading to the USSR’s disintegration and resulting ethnic conflicts, security issues and responses. The U.S. faced four nuclear powers (Russian Federation, Kazakhstan, Ukraine, and Belarus), under-secured nuclear weapons, and armed secessionist conflicts in the Caucasus and Moldova. We will examine the post-Cold War security environment, focusing on Russia’s efforts to assert a sphere of influence, and its efforts to undermine Western solidarity and confidence in the liberal democratic system. | ||||
SLAVIC 436-0 | Studies in 19th-Century Russian Literature | Susan McReynolds | W 3:30-6:20pm | |
SLAVIC 436-0 Studies in 19th-Century Russian LiteratureContent varies. Recent offerings include the role of translation in Russian culture, the Poema, The Brothers Karamazov. May be repeated for credit with change of topic. | ||||
SLAVIC 437-1 | Poetry Seminar | Ilya Kutik | M 3:30-6:20pm | |
SLAVIC 437-1 Poetry Seminar | ||||
SLAVIC 438-0 | Studies in 20th Century Russian Literature | Clare Cavanagh | T 3-5:50pm | |
SLAVIC 438-0 Studies in 20th Century Russian LiteratureContent varies. |